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Halloween (2007) HD online

Halloween (2007) HD online
Language: English
Category: Movie / Fantasy / Horror
Original Title: Halloween
Director: Rob Zombie
Writers: Rob Zombie,John Carpenter
Released: 2007
Budget: $15,000,000
Duration: 1h 49min
Video type: Movie
The residents of Haddonfield don't know it yet... but death is coming to their small sleepy town. Sixteen years ago, a ten year old boy called Michael Myers brutally kills his step father, his elder sister and her boyfriend. Sixteen years later, he escapes from the mental institution and makes his way back to his hometown intent on a murderous rampage pursued by Dr Sam Loomis who is Michael's doctor and the only one who knows Michael's true evil. Elsewhere a shy teenager by the name of Laurie Strode is babysitting on the night Michael comes home... is it pure coincidence that she and her friends are being stalked by him?

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Cast overview, first billed only:
Malcolm McDowell Malcolm McDowell - Dr. Samuel Loomis
Brad Dourif Brad Dourif - Sheriff Lee Brackett
Tyler Mane Tyler Mane - Michael Myers
Daeg Faerch Daeg Faerch - Michael Myers, age 10
Sheri Moon Zombie Sheri Moon Zombie - Deborah Myers
William Forsythe William Forsythe - Ronnie White
Richard Lynch Richard Lynch - Principal Chambers
Udo Kier Udo Kier - Morgan Walker
Clint Howard Clint Howard - Doctor Koplenson
Danny Trejo Danny Trejo - Ismael Cruz
Lew Temple Lew Temple - Noel Kluggs
Tom Towles Tom Towles - Larry Redgrave
Bill Moseley Bill Moseley - Zach 'Z-Man' Garrett
Leslie Easterbrook Leslie Easterbrook - Patty Frost
Steve Boyles Steve Boyles - Stan Payne

Malcolm McDowell ruined a great number of takes by invoking hysterical laughter in the other actors.

The inclusion of the plotline about Michael Myers' early days at the mental asylum under the care of Sam Loomis is a nod to a plotline added in by John Carpenter for the television viewing of the original Halloween (1978). As told by Carpenter, when the original film was first sold to television, they demanded added scenes to replace the edited portions of the murder scenes. So Carpenter recalled Donald Pleasence, the original Sam Loomis to film scenes of him at the hospital taking care of Michael.

(at around 54 mins) The film was mostly shot in South Pasadena, California, the same area where John Carpenter's original film was filmed. When Laurie notices Michael watching her and the girls at the library, Michael is actually standing in front of Laurie's house from the original film. Also, Laurie's house is located on the same street that Jamie Lee Curtis, Nancy Kyes and P.J. Soles walk down in the original film when Michael Myers drives past them in the station wagon.

William Forsythe actually injured his leg prior to shooting, which is why his leg is in a cast in the film. In the script, the character only had an arm brace, but Forsythe's leg injury was also worked into the film.

Tyler Mane is the tallest actor to portray Michael Myers at a height of 6'8" tall

Before reinventing the legendary Halloween (1978), Rob Zombie made the wise choice to inform John Carpenter about it. In response, Carpenter encouraged Zombie to "make it [his] own".

Emma Stone auditioned for the role of Laurie Strode.

Rob Zombie was against the idea of actors from the previous films, with the exception of Danielle Harris, who played the character Jamie Lloyd in Halloween 4: The Return of Michael Myers (1988) and Halloween 5: The Revenge of Michael Myers (1989).

The movie's production was delayed due to the death of Moustapha Akkad, the producer of all eight previous movies. Akkad died of severe injuries as a result from the terrorist attacks at Jordan in 2005.

Before deciding to go with Rob Zombie's version, the studio was about to green light "Halloween: The Missing Years", which would have been a prequel, set within Michael Myers' early days at the asylum.

Director Rob Zombie originally wanted Danielle Harris to play Laurie Strode and Sheri Moon Zombie to play Lynda.

The movie was not released in the United States on Halloween weekend, as was the original, for fear of going head to head with Saag IV (2007). It was instead released two months earlier on the last weekend in August 2007.

In the commentary for the film, Rob Zombie incorrectly states that Jamie Lee Curtis was in her 30s during the original Halloween (1978). She was actually 19 during the production.

(at around 1h 4 mins) The actor who sells the guns to Malcolm McDowell's character is none other than The Monkees' drummer/singer Micky Dolenz.

Of all the female leads (all the girls are supposed to be in high school including Judith Myers), only the actress playing Laurie, Scout Taylor-Compton was actually a teenager at the time of filming, much like how Jamie Lee Curtis who played Laurie in the original Halloween (1978) was the only girl who was a teenager.

Danielle Harris was 29 years old when she was cast as the teenage Annie Brackett. The movie was released nearly three months after her 30th birthday.

Danielle Panabaker auditioned for the role of Laurie Strode. Scout Taylor-Compton was cast instead. Two years later, Panabaker was cast as the female lead in Reede 13 (2009), another horror remake. Compton had also auditioned for that role but lost the role against Panabaker.

In the opening scene of the movie, the song "God of Thunder" by KISS is played and young Michael Myers is seen wearing a KISS T-shirt. KISS is a major influence on Rob Zombie's music career and the inspiration for the make-up and costuming for his band White Zombie.

Rob Zombie cast his wife Sheri Moon Zombie because he wanted a tall actress to play Michael's mother, which would explain why he grew so tall.

The film underwent reshoots as a result of poor test screenings. These included a new escape for Michael from the hospital as well as an alternate ending.

The hoodie Laurie Strode (Scout Taylor-Compton) wears is from Sheri Moon Zombie's personal clothing line, Total Skull.

In an interview, Rob Zombie said he went into the meeting with the Weinsteins with two films in mind: one being strictly just Myers and his childhood, then the remake. Unfortunately, they shot the idea down. This is why in the remake that the first half of the film focuses on Myers's childhood.

In an early scene in the film, the movie White Zombie (1932) is playing on television. The band White Zombie, whose name comes from the film, is where director Rob Zombie first gained attention in the 1980s and 1990s.

Was originally going to be another sequel entitled "Halloween: Retribution" starring Lindy Booth but the idea was scrapped and they went with Rob Zombie's vision.

At 121 minutes, this is the longest Halloween film to date.

The movie that Laurie is watching while babysitting Tommy and Lindsey is House on Haunted Hill (1959) starring Vincent Price.

The Misfits were one of Rob Zombie's influences during his musical career, and the band's track "Halloween II" is playing on the stereo during the kill scene while the couple are having sex in Michael's childhood home. Also, Tommy's costume is that of the Crimson Ghost character The Fiend. This character has been used as The Misfits' band mascot since the band's inception.

One of the most complex scenes in the film was shot on February 26, 2007, on the campus of Los Angeles City College. The day's shooting facilitated the use of 160 extras and about 100 crew people.

At one point, Dimension Studios considered making a crossover film featuring Pinhead from the Hellraiser (1987) series, following in the footsteps of Newline Cinema's horror crossover Freddy vs. Jason (2003). A poll was held on the official site, but response from fans was negative and the studio dropped the concept.

There is an online interactive game in which you play as Michael Myers. You can still play it today.

First movie where Michael Myers talks. In the eight movies of the original franchise (1978-2002) he doesn't say a word.

Adrienne Barbeau's role was cut from the final finished film, but was later included on the DVD Special Edition.

26 minutes were trimmed from the film for its theatrical release in Brazil, so it could get a broader rating, which translates to more screening times. In the end, it received a rating of 14 years (kids over 14 can watch it without parental supervision), which is not the most restrictive available, yet meant that the film could only be shown after 9pm.

The house was the same as The People Under the Stairs (1991) and only 1 mile (1½Km) from the Eppes' family home in Numbr1d (2005).

The original Michael Myers wore a Captain Kirk mask, spray-painted white. Malcolm McDowell and Clint Howard have both appeared in Star Trek, and all but Brad Dourif have worked directly with William Shatner.

John Hurt was considered for the role of Dr. Samuel Loomis.

First theatrical film for Hanna Hall in 7 years after previously working on Süütud enesetapud (1999).

Heather Bowen was a finalist for a walk-on role through a contest on the official "Halloween" Website. She won overall through a lottery-style drawing by Moustapha Akkad at the Haddonfield 25 Fan Convention.

On Rob Zombie's Official Halloween Myspace page, he announced that the film's trailer will be shown with the double-featured film Grindhouse: Õuduste planeet (2007).

Skyler Gisondo auditioned for the role of 10-year-old Michael Myers, but was cast as Tommy Doyal instead.

Most of Udo Kier's scenes were cut.

Oliver Stone was rumored to be attached to this project before he decided to make Maailma kaubanduskeskus (2006).

The sheriff played by Brad Dourif is named in memory of Leigh Brackett, a screenwriter and (mostly) science fiction novelist. Her long Hollywood career included co-writing films as diverse as The Big Sleep (1946), Rio Bravo (1959), and Star wars: Osa V - Impeeriumi vastulöök (1980). Rio Bravo was the inspiration for a previous John Carpenter movie, Assault on Precinct 13 (1976).

Robert Allen Mukes was reportedly in the running to play Michael Myers.

(at around 48 mins) Big Joe Grizzly does an impression of Strother Martin from Cool Hand Luke (1967) by saying "What we got here is ... failure to communicate" in a voice imitating him. The line in the movie is correct--but the subtitles adds the word "a" before "failure"--more grammatically correct--but not accurate.

Max Van Ville auditioned for the role of Steve, but was cast as Paul instead.

Malcolm McDowell (Dr. Sam Loomis) has never seen the original Halloween (1978).

This was Rob Zombie's first experience using the 2.39:1 scope aspect ratio. He was not comfortable using it for this film and returned to his preferred 1.85:1 aspect ratio for its sequel which was shot in the Super 16 format using the said ratio, although he used the scope format for The Lords of Salem (2012) & 31 (2016).

The car Deborah Myers drives is a 1970 Dodge Super Bee.

Dr Loomis handles a Smith and Wesson Model 617, before acquiring a 4" Colt Python in . 357 Magnum.

Scout Taylor-Compton was born in 1989, the same year that Halloween 5: The Revenge of Michael Myers (1989) came out.

Deborah commits suicide with a, Smith & Wesson Model 36 "Chief's Special"

Brad Dourif (Sheriff Lee Bracket), was previously in another horror franchise from the 80's/ 90's as the voice of Chucky in the Child's Play movies.

Deborah Myers is the only person to die in the film that was not killed by Michael Myers, she's also the only character in the entire Halloween saga to ever commit suicide.

An alternate ending was shot, then changed by Zombie. In it, Loomis survives and Myers is gunned down by Brackett's men in front of the Myers house.

Danny Trejo's death scene was cut from the work print after studio heads complained about it. Zombie lobbied to them, stating it was important to show how brutal and uncompassionate the character truly is. In the final cut, Zombie won and was allowed to put the scene in.

This is third Halloween film that Danielle Harris has been in. She first appeared in Halloween 4: The Return of Michael Myers (1988) and Halloween 5: The Revenge of Michael Myers (1989) as Jamie Lloyd, daughter of Laurie Strode. (Her character was recast in Halloween: The Curse of Michael Myers (1995), and then killed off.)

The teenage version of Laurie Strode does not appear as the protagonist until 52 minutes into the film.

Total Body count: 17 (with only one death not committed by Michael Myers)

In the work print and director's cut of the film, an alternate escape scene was used. In it, Michael begins his escape from the asylum by killing two orderlies while they are molesting a catatonic female patient in his room.

The couple having sex in Michael Myers' childhood home are killed in the exact fashion they were in John Carpenter's 1978 original. The teenage boy is pinned to a wall with a kitchen knife and the teenage girl is strangled to death whilst nude. Myers also wears a sheet over his body and the boy's glasses before he kills the girl, just as he did in the original.

(at around 49 mins) When Michael Myers escapes from the sanitarium he finds his way to a truck stop. At the truck stop he follows a man (Ken Foree) into the men's stall. After killing the truck driver Michael, puts on the truckers jump suit. The very same jump suit actor Ken Foree wore in George A. Romero's Dawn of the Dead (1978).

In the original film, Annie Brackett was the first of Laurie's friends to be killed by Michael. In this version however, while Michael does attack Annie, she manages to survive.

A stunt woman was seriously injured in the balcony fall sequence at the end of the film. Rob Zombie explained this is why the film suddenly cuts to black and the actual landing is not shown.



Reviews: [25]

  • avatar

    Uaha

    If I had a cool fake last name and a semi-successful pseudo-metal band in the 90s, maybe I would be approached to direct a "retelling" of a horror classic to make a ton of money for the studio.

    If I was, I would keep in mind all the elements that made Halloween '78 so popular and leave them exactly how they were, such as prolonged steady-cam shots to give the sense that of The Shape's point of view, a minimal but chilling soundtrack to add to the tension, a brave heroine who isn't a helpless idiot, and keeping the antagonist off screen for at least the first half of the movie to build the tension. This was the formula for all the "great" horror and suspense movies, such as Psycho, The Exorcist, Jaws, and the first Friday the 13th and Nightmare on Elm Street movies, and I would keep true to it in my Halloween remake.

    The only things I would fix in my retelling would be little things that my larger budget would certainly allow. I would make the sets of Haddonfield, Illinois in October look less like Southern California in April. My actresses portraying teen-agers would not be in their late 20s or early 30s, and I would eliminate small holes in the plot like the opening scene of Michael's sister making out with her boyfriend upstairs for only 40 seconds before he leaves, and the sheriff responding to a break-in at the hardware store during normal business hours (usually, burglar alarms don't sound during shoplifting.) I would also pick a year that my remake was supposed to take place and stick to it. I wouldn't confuse the audience by having people with sort of retro fashions and hairstyles driving pristine cars from the 60s and 70s and kids on stingray bikes that haven't been seen in 25 years, but at the same time modern police cars and cell phones.

    I understand Rob Zombie's temptation to answer questions that all of us have had about Michael Myers, such as why is he so intent on killing people and why does he insist on wearing a mask? The problem is, in answering the questions and telling about Michael's background, Michael becomes more human and therefore less scary. Even Zombie's choice of explanation is suspect. The audience expects a tormented kid from a crappy home to turn out disturbed, but a bad kid from a seemingly normal home seems a lot scarier, since it could happen to anyone. (Halloween '78 got this part right as well.) Not everything in this movie is completely inferior to the original, hence my rating of 4 stars. The sets look thousands times better than the original. The actresses seem more believable as teenagers than in the original, and we get to see a lot more of them. The new scene of Michael ripping up floorboards in his old house to get his mask and knife was pretty cool, too.

    As for the rest of the movie, it is an interesting study in what truly comes across as suspenseful on a screen. Is a powerful, 6'8" antagonist scarier than one who appears and vanishes into the shadows? (probably not.) Does gratuitous gore and language actually distract from the suspense? (yes.) Does the inclusion of well known rock-songs for more than 5 seconds at a time really kill the mood? (absolutely, and it also interferes with the classic soundtrack. This was also a problem in Halloween 2.) Are dizzying, quick, MTV jump cuts scarrier than long, steady shots? (see for yourself and decide.) In a way, Rob Zombie had an impossible task of making a sequel (even if it was called remake or retelling) when everyone already knew about Michael and what was going to happen, thereby removing almost all of the suspense. However, that doesn't excuse leaving out the opening title sequence with a simple black background, pulsating theme music, and the off center, poorly-carved Jack O Lantern giving a sense of foreboding. I am almost certain there was a fantastic, eerie version of the classic 5/8 theme played on an out-of-tune honky tonk piano that was played in a trailer for Halloween '07. It would have worked perfectly for such an opening sequence, but sadly, it was omitted for the actual movie.

    Don't expect a lot from this movie (like being scared or entertained) but if you watch it to study what truly works in horror movies and what doesn't, it is worthwhile viewing. When it comes to horror, less is more, since nothing is more powerful than the viewer's imagination.

    Remember that, Rob.
  • avatar

    Manarius

    In the beginning we have a lazy-ass foul mouth (step-?) father nagging on everyone in the family. William Forsythe is a fine actor, but I think he really overacts on that one. Perhaps we are supposed to be disgusted of the father, but then I don't feel that we should need to feel sympathy towards Michael. Also the breakout of the ward was stupid. Guards are caught their pants down like idiots. And the "blaming scene" afterward is ridiculous. There are couple of another laughable scenes, like the girl in the end trying to get through the metal wire bed (which she actually manages) instead of simply going out of the house as the bad guy is blocked anyway. The movie has some incredibly dull and horrible dialog. And even charismatic Malcolm McDowell cannot save the day. I think that horror has been done so much better in numerous other forms that this movie is simply a redundant "money collector". To conclude my opinion, I was surprised and disappointed that was so little Rob Zombie on the soundtrack.
  • avatar

    Lanionge

    I went into the theater with very few expectations except for one: This new Halloween movie was going to have great atmosphere and chills. I was confident it would be one scary movie and I was really looking forward to it.

    The first ten minutes go by and I'm laughing quite a bit. I thought to myself, is this supposed to be a comedy? Am I in the wrong theater? I figure maybe Rob Zombie made it funny at first as an odd way to hook the audience.

    Suffice to say, I'm still waiting to be scared. This movie had no atmosphere and did not scare me in the least. Sure, some of the killings were gross but none were scary. And where was the 1970's style horror atmosphere? I thought Rob Zombie loved 1970's style horror movie making (as do I). Halloween is 1970's horror served up on a silver platter.

    This isn't a bad movie overall, very average if you ask me, but it is a less than stellar Halloween remake or re-imagining. It just doesn't work as a different take on Halloween. It's almost as if Rob Zombie took an old story he created about a kid with a totally messed up family life who becomes a serial killer and said, "Hey. I'll just make this kid Michael Myers." His "explanation" of Michael Myers, while very well acted especially by the little boy, just didn't ring true to me. The boy becomes a serial killer because of a bad family life? Cliché and uninspiring to say the least. The footage of him in the asylum was even worse. Awful and boring are words I would use to describe the asylum footage. And the writing and acting for the Dr. Loomis character was laughably poor. It got to the point where I laughed every time he was in a scene.

    *** Spoiler*** And the ending. The endearing quality of the original 1978 film is the ending. The imagery of seeing Dr. Loomis looking out the window at the spot where The Shape should be is the most compelling and powerful portion of the film. I literally was so scared I couldn't even move when I saw the original the first time. Fantastic imagery and a fantastic ending to the movie.

    Rob Zombie chose to include the silly "Laurie Strode is my sister" add-on angle from Halloween II but chose an ending that is neither clever nor endearing. It's your average bloody girl somehow is lucky enough to survive and kill the knocked out bad guy. Folks, that's not what the original Halloween is all about.

    I guess I assumed wrongly that Rob Zombie understood what Halloween was about originally. Or, maybe, he didn't have complete creative control as claimed. Either way, what I saw was a decent horror movie but a very poor take on the original Halloween.
  • avatar

    Samut

    I like a lot of viewers had high hopes going into this movie. Usually I am a Rob Zombie fan, as he has made some good horror flicks in the past. This however was not one of them. I agree with a lot of folks that the back story on Mikey's upbringing made him seem human and not as scary as the original. The original Michael never uttered a sound except the disturbing breathing sounds uttered from his mask. This character talked for probably the first 30 minutes and actually was kind of funny when he was talking to Dr. Loomis. He seemed like a dorky kid who one day started slaughtering every person he encountered except his mother and baby brother? sister? I thought it was a boy until the plot developed further. When he grows up he is ridiculously huge and looks like a member of Slipknot. From here the movie really begins to derail badly. Shamelessly ripping off lines from the first movie, quick sex and even quicker violence is only half the problem with this movie. My personal favorite was the Ben Trammer reference from the first movie that was thrown in there for obvious comic effect. Where Rob Zombie really failed in this movie was how Laurie Strode was portrayed. In the original Jamie Lee Curtis was a sweet, naive girl who was scared to talk to boys and had an innocence about her. This incarnation of Laurie Strode is your typical high school slut,and ultimately we don't care if she lives or dies. My least favorite part of the movie was the darkness of it and the insane fight scenes between Mikey and Laurie. For like the last 30 minutes they are fighting in what seems like pitch black. I understand what Zombie was trying to do, but it was annoying. Because of this, the viewer really did not know what the hell was going on. Laurie was in the walls, the ceilings, the fence and the whole time Mikey was jabbing his knife or stick into these attempting to kill her. It was hard to even see what was going on. Then the movie has a false ending and then really ends. Who cares at this point? What a shame. My high point of the movie was seeing the lovely Danielle Harris topless for about ten minutes. All in all this movie was a waste. Poor story, bad coloring in the film, although nice topless scene with Danielle Harris. Preceed at your own risk.
  • avatar

    MrCat

    OK, now my problem with Halloween(2007) is this is a film that DID NOT need to be remade. Halloween('70's) was absolutely perfect in every aspect, in my opinion, it's the scariest movie of all time. But when I heard that Rob Zombie was on to direct this movie, I actually thought for a minute there was a possibility this may be a good remake. I saw it this morning at the theater, I am in absolute disgust. Just it's not like he just re-made the movie into his own idea, no, he took some of John Carpenter's excellent ideas and just made them into crap. Now I'm separating this from the original, Halloween(2007) was actually by itself a bad film. Which really disappointed me since The Devil's Rejects was done so well, this was just a typical stupid unoriginal slasher movie. Now, Rob had a good idea where he developed Michael's character in the beginning, where we had a better idea on why he became Michael Myers. But after that, everything went downhill, because Rob just rushed all the other IMPORTANT characters, so they got no development what-so-ever.

    Mike Myers is a tormented kid, his mom is a stripper, his step dad is an alcoholic jerk, his big sister treats him bad, and he is picked on at school. But he kills small animals as well, leading him to go onto bigger things, like humans. He massacres his family, excluding his mom and his baby sister, he is taken to a mental institution and escapes 15 years later and is going after Laurie, his baby sister who is now grown up and is preparing her and her friends for a night of hell.

    The acting on the teenage girl's parts was just horrendous, like extremely bad, I was actually hoping for them to get killed, how sad was that? Laurie was just a whiny little priss, not at all likable like Jamie's performance, same with the other two girls, they couldn't live up to the other performances. These girls were just annoying, not likable at all, while the other actresses at least had that going for them and made them likable vicitims. But it just seemed like they wanted their 15 minutes or some kind of big break, because it didn't even take them 10 minutes to take their tops off. On a movie on it's own, it's just too unoriginal and I'm disappointed in Rob because I thought he was really improving. Comparison to the original Halloween, perhaps Rob should have read the tag line THE ONE, THE ONLY, HALLOWEEN, because this was a huge slap to John Carpenter's face on his brilliant classic.

    2/10
  • avatar

    Hap

    Rob Zombie has made a career of all things horror. From the musical group White Zombie to his own solo career, in comics with his monster fighting character El Superbeasto and into films. His first two forays, "House of 1000 Corpses" and "The Devil's Rejects" tied into one another nicely with the second film being a sequel to the first. But with his third film, "Halloween", Zombie falls short of offering not only scares but signs of a developmental director.

    Everyone already knows the tale of Michael Myers, the psychopath from Haddonfield, IL, who murdered his sister only to be committed to an institution he would later escape from with the intent of more killings back home years later. While that is the basis for Zombie's film, it is not a remake but more of a retelling, a reinvention of the same character.

    Here we are offered young Michael and the household he grows up in that forms his life. Michael's mother (Sheri Moon Zombie) is a stripper, saddled with a new husband (William Forsythe) who is disabled and a ne'er do well more interested in yelling at the kids than in offering any sort of role model. Michael's sister is a trashy sleep with anyone teen who dresses provocatively and does little else. All of this is not lost on Michael who spends his time killing his pets and taking photos of them. What we are being offered is a textbook glimpse as to why a youngster becomes a serial killer. The nice middle class family shown in the original is tossed aside for this new group. And in this first portion of the film, the problems Zombie has are apparent.

    Zombie has filled three films now with the same characters. Sure, they may have different names and different small time characteristics, but the fact remains that he focuses on the dysfunctional family and their housecleaning inabilities. Yes, it seems that all families in Zombie's world can't clean to save themselves. Not only that but they all have the same dingy look to their living quarters as well as references to pop culture. The house Michael grows up in could be a home that the Firefly family would feel comfortable in. It all looks the same and that detracts greatly from the viewing experience, unless of course you'd never seen another Rob Zombie film.

    Comparisons to the original film are inevitable and this will most likely be the downfall of the film in the long run. Michael goes overboard with his murderous rampage as a child in this film unlike the original. Where no blood was seen in that film, it flows freely now. Perhaps this is due to the changing times, but it adds nothing to the scares of the film or the character. It does make him a more brutal killer, leaving him one without a touch of sympathy. But the mindless killer from the original is replaced by someone we feel absolutely nothing for now.

    Once finished with the whole back story of young Michael, his family and the kindly Dr. Loomis (Michael McDowell) who takes care of him at the institution, we move forward 15 years to when Michael escapes and heads back home. The body count increases once more as he kills everyone he comes into contact with their, including a worker who had befriended him. Once out, the story becomes more familiar, almost a duplicate of the original shot from different angles, with different actors and focusing less on the character of Laurie Strode, the central character in John Carpenter's version.

    Laurie and her friends are nothing more than meat to be slaughtered by Michael in this one. There is no development of character, no reason for us to think of them as more than teens in peril that we have seen in hundreds of other slasher flicks. While we cared about the original teens, this time around they seem less human and placed in our way for two reasons: to be killed by Michael and to offer more exposed flesh than the first.

    By the film's end we are offered the traditional sliced and diced teens, gratuitous nudity and enough blood to make a special effects company weep for joy at the size of their bill. But we have gained nothing in the iconography that is Michael Myers. While we are given more background on him, we care less about him than we ever did.

    Worst of all is the fact that Rob Zombie, a director that showed such great potential before, seems to be telling us after only three films that this is all he has to offer. Stories told from the same world, a world that blasts apart the whole "Father Knows Best" world we would all like it to be. In his world, there is no caring parent. And when they are caring, they are twisted in some revolting way.

    I haven't given up on Zombie yet though. Having recently signed a two picture deal with the Weinstein's, perhaps he will show us he has more tricks up his sleeve than he let on. But if he returns to the carny soiled world he's offered in three films to date, then it looks as though he's a one note director. Let's hope he offers us more. It's in there somewhere.
  • avatar

    Danial

    Let me start by saying that the original "Halloween" is by far my favorite horror flick ever. I have the original movie poster from 1978 framed and hanging in my basement. I'll also admit, I have the Michael Myers doll that plays the music. Huge fan. So, when I heard RZ was remaking this, I was a little peeved. Then I started to see some of the previews, and actually became excited about it. So, I DID go in with an open mind. The best way to sum this up, is that RZ COMPLETELY missed the point of what made Michael so scary in the first place. The fact that there WAS no reason, no conscience, no sense of ANYTHING. He was, and I quote, "purely and simply evil." He IS, in essence, the "boogyman". Trying to shove down my throat the fact that he became like that because his family was white trash is NOT scary. If I wanted to watch Jerry Springer, I would have stayed home. RZ if you read this, you need to realize that gore does not mean scary. It was not necessary in the 1978 original, yet that remains some 30 YEARS LATER the GREATEST horror movie of all time. What does that tell you????
  • avatar

    Yozshujinn

    A few things should be noted before you read this review. I'm not a fan of Zombie as a director. All of his films have been sub par for me, and the only reason I saw this was because I'm having a bit of a gore fest and I heard that this version of Halloween did in fact have some blood in it.

    I'm also not a big fan of the original. I thought the pace was a bit slow, BUT none the less the original Halloween was a film with a smart concept. IE. to show what evil would be like if it was simply a force of nature.

    It was a unique interpretation of what evil could be like. This was not some killer with a motive to his crimes. This was not something that could be explained or reasoned with, it was just evil, and that was it.

    It was such a simple, yet interesting idea. So many films try to explain away inhuman acts, and Halloween just said screw it and didn't explain a thing. For that alone I understand why it is held so highly, even if I couldn't get into it.

    Anyways, If you have seen Halloween the original, then you've seen this. This isn't a recreation of Halloween. All this is, is a two bit back story stapled onto the Halloween we already have. Myers is given a back story, which obviously isn't needed because why doe Myers even need a motive? Once the back story is done(I admit it is a long back story, but only cause it's dragged out) the original Halloween starts. Entire scenes are shamefully recreated. Lines from the original are used instead of new dialog. Really, the only 'new' things this film brings to the table is blood(which isn't needed, despite my gore fest), nudity, the two note back story, and a rape scene, which fits in with Halloween about as well as a flying pig in Friday the 13th.

    Other then that, every scene from the original is simply reused, and poorly.

    The scenes that Rob does add come off as jokes. There is an actual scene, not kidding, that plays Love Hurts to make us feel sorry for Myers. There Myers is, crying his eyes out, and about to kill his whole family, and the song Love Hurts is blaring over the film. I have never seen such a cheap scam to get a tear from the viewer.

    The list goes on and on for flaws in this film, but I'll just stop it there. Happy Halloween, oh, I mean Christmas. Man, even the release date was screwed up.
  • avatar

    Deeroman

    God Awful...don't bother! The original Halloween is such a classic and in my mind no need to be remade, however if your going to remake it, please make it a good one! I personally think Rob Zombie sucks when it comes to movies, not because there isn't gore and horror but just because he sucks at making the characters and story line believable.

    In this remake, you don't know if your looking at scenes from the 70's, 80's or what, yet the guy who plays Donald Pleasant's character is carrying a very modern cell phone! Malcolm McDowell is a good actor and I am surprised that he went for this part, it was very weak and I feel sorry for him that he has had to add this to movies he has been involved with! On a side note, his character seem so self absorbed in the movie that honestly I am not surprised poor Michael Myers stopped talking, he was probably hoping the good doc would shut the hell up or eventually go away lol! I could see that maybe Rob Zombie was going for the more "real" Michael Myers, a screwed up kid and why he was that way. If left at that and nothing to do with Halloween, he could have had something really good IMHO, however the constant back and forth of making Michael Myers "real" as opposed to a remake of the old movie was just annoying and God awful! My advise, AVOID THIS MOVIE WITH A TEN FOOT BARGE POLE, as we say back in the old country lol! Or if you have to absolutely see this tragedy of a bastardization of a cult classic, don't even rent it, borrow it from some other poor sap that paid the rental fee!
  • avatar

    Risteacor

    First of all, as a movie in general I though was less than average. As a remake, it was *beep* horrible. People will always say, "Oh this is a different movie, not the original, don't compare." It's a remake, how could you not *beep* compare First, I always had a problem with a back-story, Michael was pure evil without one. Michael was so evil because he had no reason to kill, he just did. He was pure evil in human form, there was no rhyme or reason for what he did. Okay, a back-story doesn't have to be terrible, but it answers nothing.

    People say that this answers the question that had lurked in everyone's mind since the first 10 minutes of the original "Why is Michael the way he is." No it doesn't, at least not under the circumstances presented in the original. In that one, Michael has a nice and clean home with two well kept and fitting looking parents and a sister that seemed horny, but not a slut. In this one, the father is mysteriously dead and a filthy white trash piece of *beep* who has no respect for women, especially two very attractive ones, takes his place. The house is a decrepit place, the mother is a stripper, and it seems to be a white trash haven. Anyone can give a reason for Michael's rage in this way, just throw everything that was presented to the table in the original and put unoriginal stuff on it. The back-story itself is unoriginal and stupid.

    The first 5 minutes already answer the question to Michael's rage, it's not drawing us in. Imagine the back-story starts with two clean and nice parents who are loving and in a nice home. That would be better because the audience will be engrossed with all these questions; "Whoa, what the hell, his life seems pretty nice. I wonder what will happen to make him evil." That is original and gets the audience interested right away because Myer's life seems perfect, but then an event happens and so on. In the remake, it looks like someone watched a documentary on serial killers and threw it in the movie. It's not original or new; it's used and boring. I wanted something that really surprises the audience about Michael and answers the question on his rage under the same circumstances as in the original, but in an unsuspecting and surprising manner.

    All right, now for my biggest complaint in character development; Loomis. I remember in the original Loomis was a take charge type of guy who showed no mercy when he tried to find Michael. He never hesitated or gave up a chance to kill Michael because he knew he was pure evil. Loomis in this one calls Michael his best friend and is sympathetic to him. Then the next scene he is calling him pure evil and the anti-Christ. WTF. If Loomis thinks Michael is pure evil, why does he try to negotiate with him, hesitates to shoot him, and is remorseful towards him. The original had Loomis never resting till he found his evil patient. This one, he wastes time talking about his book and other crap. Especially in this one, Loomis should be more eager than ever since Michael kills 5 people as opposed to 1 as a child. People will say this Loomis is so much more caring and polite. Lets think for a second.; Loomis has spent 15 years of his life trying to get through Michael. He soon realizes Michael is pure evil and tries to get him transferred; People think he's an idiot and what happens? Myers escapes and they blame the whole thing on him. Would you be *beep* polite after all that and now you have a murderer on the loose and only you know how he works? I sure hell as wouldn't. Loomis in the original was more realistic, knew what he was dealing with, and took every chance he had to kill Myers before he kills anyone else.

    Now let's look at the slasher himself; Michael Myers. They took a true and pure evil villain who tortured and murdered his whole family and made him into a sympathetic anti-hero who only wants to be with his sister Laurie. Michael never tries to kill Laurie in this one, at least not in general circumstances. Instead, he tries to be with her. Michael used to be a villain who stabbed and tried to strangle his sister, but now he's just a loving, but murderous, brother. The only times where he appears to want to kill her are times when he's reacting in anger, not evil. Michael used to be the villain everyone was rooting for to be killed: I still love the scene where Loomis shoots the hell out of Michael in the original. This one, Michael is not evil at all, just some misguided fool. I can't watch this feeling sorry for the villain.

    The movie itself is used and boring; the stuff used from the original is rushed and a cheap knockoff in this one. The murders are rushed and someone gets killed every 2 seconds. My favorite kill in the first one was when Michael strangled to girl with the phone line because it looked so painful when she was gasping for air. This one, he just grabs and her and 2 seconds later she's dead. The murders and stabbing sounds are fake looking and sounding and the gore is way too exaggerated. One person gets stabbed one and then there are oceans of blood.

    This movie was not scary in any shape or form and it ruined the image of Myers. No longer is he pure evil, but a misguided and sympathetic fool who just wants love. By the end of the movie, I had to watch the original to chafe the bad taste in my stomach from this one.
  • avatar

    Xirmiu

    Well... where should I start?

    I was really excited when I heard about this remake coming out! Did I like it? No! And here are the reasons:

    1) It claims to be a remake, but it's a totally different story! 2) It ain't a whole new concept though, because the original Halloween plot is used (and in a pretty bad way).. 3) It's SO not scary.. It can hardly be called a horror movie! 4) The pr-story about Michaels childhood is SO cheese and naive (it could have been a good drama, but it's not, because of trashy dialogs and cheep storyline) 5) I got bored in the middle of the movie. 6) If you make a remake, you risk with everyone going to compare it with the original, and in this case the Carpenters movie is so much better!

    So, it ain't a horror movie and it' ain't a drama! You can't even call it a thriller! Just a week film, Zombie made, 'cause we all know he loves horror classics (just as much as we all do)! House Of 1000 Corpses was really great (allthough it's much of TCM concept used in it), still it's amazingly fresh and creepy! Halloween was not! Sorry, Rob~ 3 out of 10!
  • avatar

    Binthars

    I wanted to like this movie. I really did. I went in with an open mind. After all, it is not easy to remake a classic. Especially when the original Halloween was perfect. Nonetheless, this movie is a major disappointment. It starts off well enough, and I did enough the background of Michael. However, when it gets to present day, the story line skips through sections and you get the feeling of bad editing. Plus, all the jumping around leads to no character development and a group of teenagers we could care less about. To put in plainly, there is no suspense in this movie. Even though Zombie adds his own touch and scenarios to the story line, he never gives the audience a feeling of dread. Unlike the original, there are no moments of, "run'" "look out behind you" and all the edge of your seat stuff. It's just cut to scene, kids are killed, cut to next scene.

    Even the cameos are wasted. Take the Spiderman movies for example. In each one, Bruce Campbell steals the scene he is in. This movie had countless cameos by some of the best in B movies and horror films. For the most part, none of them leave a mark.

    At times this movie feels like a remake, at times a sequel, and at times a re-envisioning. Never does it feel like a good movie. definitely not worthy of the title.
  • avatar

    Broadcaster

    The basic problem with Rob Zombie's remake of the classic horror flick Halloween comes from its purpose. The only reason he should have even considered attempting such a feat is if he seriously felt he could service the film by giving it an update and improving some of its shortcomings that result from the tests of time. Sadly, Zombie not only does nothing to improve the film, he hacks and slashes away all of the mystique the original had and rips open brand new gory, messy, and pointless holes throughout.

    The character of Michael Myers in the original film came from a fairly well-to-do suburban family, yet inexplicably turned out a rotten, merciless killing machine. It is pretty essential to Michael's "Boogeyman" persona that he appear as something almost supernatural, and certainly nothing the audience could ever sympathize with. Yet Zombie drags a newly fashioned back-story out for half of the movie, trying to give reasons for why Myers does what he does, stomping all over the mystery that surrounded the original character and struck fear into all members of the audience. It is also a major part of the character of Dr. Loomis that Michael be the impossible case study, one that even the most accomplished psychologist couldn't comprehend. Instead, Zombie (in typical fashion of his God-awful career) makes Michael the product of a run-down, white trash environment. Any movie-goer would find it difficult to not laugh at the ridiculous caricatures Michael's family members portray, if they were not already bored to death by Zombie's fetish with white trash, and his predictability as a director.

    Zombie saw it fit to remove almost all of the classic scenes that made the original so memorable and replace them with blood-strewn bodies of naked women at every turn. I'm not sure who exactly thinks "porn + gore = horror", but I'll tell you that there is a major difference between a creepy, mysterious mask-wearing man chasing after a scared babysitter and popping out from behind every corner and one bashing in someone's head with a baseball bat repeatedly to no one's amusement. It's fine if some people in the world enjoy goriness every once in awhile, it's not fine if Hollywood directors begin to confuse this with horror. Repeated sadistic killings are not what scares an audience, they're what sickens them. Mystery, suspense, and the creepy aura of the unknown are what make up a good horror film, and the original Halloween is THE classic example of this. Also, as a side-note but something that needs to be mentioned, who the hell talks like Laurie and her two friends in this film? These three girls, the blonde friend in particular, converse as if high schoolers find it extremely cool to drop the f-bomb every other word and sound as annoyingly immature as possible. The entirety of the dialogue written for their parts suggests no one involved in the making of this film has any idea what teenage girls talk like, so one of them decided to make it up and make them all look like total fools. I had already given up on the film by this point, but it seriously made me and everyone I came with kind of concerned that a film could get all of the way through the editing process and into theaters with such odd dialogue that would actually cause us to look at each other with quizzical faces.

    My one piece of advice to moviegoers everywhere is, instead of putting more of your hard-earned money into the pocket of a hack director like Zombie and fueling the fire of awful modern horror films and terrible remakes, stay at home, dim the lights, and watch the original classic to remind yourself of just what makes a horror movie tick, just how great movies of that genre once were, and just what it feels like to truly be scared - heck, that's exactly what I'm going to do to try and push this steaming pile out of my memory. It's bad when a horror movie comes out that's filled with lots of cheap gore, overused expletives, and pointless nudity, it's far worse when it's done as a remake of a classic. The only people this film will strike horror into the hearts of is fans of the original, and sadly this is not the type of horror they paid to see - they, like myself, will be absolutely horrified at just how bad the abomination of a remake that is Rob Zombie's Halloween truly is.
  • avatar

    Mr.Champions

    Why must Hollywood continue to churn out these worthless remakes? I'll be honest and say I wanted to like this movie, but I went in with low expectations. But, really, has Rob Zombie ever actually seen Halloween? Michael Myers was a normal 6 year old boy from a normal family who, suddenly, for no reason at all, put on a halloween mask, grabbed a knife, and murdered his sister. Zombie's Michael is supposed to be 11, his mother is a stripper, his dad is AWOL, and everybody, EVERYBODY, cusses worse than a sailor. As a fan of Mr Zombies music, these plot elements don't seem very new or fresh. After 10 minutes or so, I knew this was going to be just like his first 2 movies, bloody, violent, and boring. The only thing he didn't ruin was the music, and I was surprised he didn't find some way slip a hooker and a f-bomb in there. And then there was the cast. The girl paying Lourie was too short,too young, and lets be honest, too annoying. By the end, I just wanted her to shut up and go away. When I heard who was playing Dr Loomis, I was relieved. But he totally phoned it in on this one. All in all, this is Mr Zombies worst effort yet.
  • avatar

    inform

    The first half an hour is almost unwatchable. Two people in the theater left and never came back. I have never felt the urge to leave a theater mid-movie but for some reason (my $5.00 or perhaps sheer boredom)I decided to stick it out.

    I will admit the very ending where Michael is attacking his sister is not too bad. But overall, this movie suffers from horrendous acting, the poorest of poor character development, and a severe lack of creativity. Rob, please go back to making angry industrial rock.

    Do not throw your money away nor fool yourself into thinking this may be just another bad remake. Instead, rent a 'real' horror movie like "May", "Feast", or "The Host" -Matt (A huge horror fan) P.S. I would rather watch a poorly produced marathon of "Freddy's Nightmare's on the Chiller network than have to undergo another viewing of this film. Blah!
  • avatar

    Kifer

    This comment is for people who have already seen the movie. The way Michael Myers is able to break through the chains and kill four prison guards, and not get hurt at all is insanely unrealistic. Also regarding that scene, they would've had that whole killing on a hidden camera, and more guards would go to Myers and attempt to stop him. That part was where I really became upset with the film. Other unrealistic parts of the movie were when Dr. Loomis shoots Myers I believe three times and hits what seems like around the heart every time and Myers still gets up no less than two minutes later and continues to kill people with ease. Also on a couple occasions when people would have a gun pointed at Myers and not shoot and give him time to destroy them, that made me think, "What the heck are they doing not shooting this maniac? They have a perfect shot every time yet they seem to freeze up." And when the girl stabs Myers in the neck, or maybe it was the back, but if it was the neck there is no way he is surviving that, yet he was able to just pull the knife out of his neck, and continue trying to kill the girl. There are other parts that were really just not impressive and it made me highly disappointed with the quality of the film. It seemed to me that Rob Zombie and others who wrote and had a hand in directing and writing and producing the movie just wanted to make it as bloody as possible and just focus on the shock value, but there is more to a horror movie than just making the people in the audience throw up in their seats after being overwhelmed by gallons of blood spray throughout the silver screen. I wouldn't recommend it, you can spend your money in a more wise way on a better horror movie.
  • avatar

    Zymbl

    I think Rob Zombie is a talented film maker. I thought his first two efforts were perfect homages to the genre he professes to love. He subtly tipped his cap to the pinnacles of the genre and yet still managed to show us his own style. When I heard he was taking on Halloween, it made me nervous. Halloween is the best of the bunch. With all due respect to Psycho, which Halloween tried to emulate, Halloween is just so much better than any other horror film ever produced. I realize this is not an empirical statement, but the quality of Halloween and the influence it has over a plethora of horror films is. There is simply no getting around it, Halloween is the best of the best. I say this because for Zombie to want to remake the pinnacle of horror takes a lot of balls and it had better of been a faithful retelling of the story or it won't work.

    This film sadly doesn't work. In fact, it stinks.

    Rob Zombie either has no understanding at all of the Michael Myers character, or he just doesn't care. Perhaps he needed a hit after his first two films were well received by the critics, surprisingly, but did little business at the box office. Or perhaps he thought all of today's jilted youth would flock to it and somehow relate to the Myers character.

    Let's revisit the original 1978 Halloween. The film presents us with a child who, for no apparent reason at all, stabs his sister to death. As Dr. Loomis tells us, there is no rhyme, no reason and no understanding behind his eyes. He seems like he is a normal kid with a nuclear family who just takes a large knife and slaughters his sister on Halloween night. It is simply evil that motivates him. This idea that an incarnation of evil could just snap is what made the film so FRIGHTENING. He spends the next fifteen years in an institution just waiting. He doesn't speak or move or show an intelligent signs of life or even a modicum or human understanding. He just waits for Halloween night and then guided by evil, he escapes.

    IT, Michael Myers escapes Smith's Grove and heads to Haddonfield and goes after his only remaining family member. Why? Who knows. It is never really explained. But we are left with is pure and unadulterated evil, on a mission of death.

    Dr. Sam Loomis was the only person who knew this. No one else believed him or took heed to his warnings. They just left Loomis and his pet patient alone. Loomis' world has become one that is spent making sure that Myers never leaves Smith's Grove. It drives him almost to the brink of insanity. He wants to make sure that Myers is never let out of the institute.

    These themes are tantamount to what made Halloween such a brilliant piece of film making. I don't think another movie will ever capture the feeling of evil and doubt and fear quite like Halloween.

    When you look at Zombie's white trash version, the first five minutes of the film are like a slap in the face and it makes you cringe.

    Zombie literally slaps you in the face and decides to give us a reason as to why Myers is the way he is. And what do you think that is? He is from a white trash, trailer park family. The evil and disgusting step-father, the stripper mother and the whorish sister. The family speak like drunken sailors and go on about things that just don't resonate. And then of course you get Myers being bullied at school. So we have the personification of evil being evil because his step father is a jerk and kids beat him up. Are you kidding me?

    So basically Michael Myers goes from a character that represents complete evil and lack of humanity, to a tortured nutcase that snaps. When in the original, he was just E-VIL.

    What is also terrible in the film is the writing and the dialogue of every character. Where Carpenter and Debra Hill shared the writing duties in the original, Zombie does it all here and his juvenile rantings of the female characters in here is just wrong and even his kindergarten like interpretation of Loomis is terrible. Malcolm McDowell is fine as the good doctor, but Zombie betrays him with psyche 101 babblings of what he thinks Loomis would say.

    What makes it that much more frustrating is that Zombie says he loves films like Halloween and Texas Chainsaw Massacre. And instead of emulating what made those so effective, he dumped all over the Halloween legacy. This might have been a decent horror film, but it is not a Halloween film. He doesn't understand Halloween, Myers, Loomis or any of Carpenter's brilliance. He hacks away at it for the Facebook generation and it is a nauseating experience.

    This movie resembles more of a rock video than it does an iconic horror film. And that is sad. Even worse is kids who haven't seen the original might actually like this repulsive version.

    This is the worst horror remake ever, and that includes Psycho.

    DO NOT SEE THE HALLOWEEN REMAKE.
  • avatar

    Danrad

    And so it goes that Rob Zombie, great horror mastermind and irrelevant metal vocalist, takes on one of my personal favorites in the Hollywood horror genre and promptly reduces it to the value of a single piece of dog feces.

    I rated this film a 4 not because it had much value, but that I simply could not bring myself to give it the rating it truly deserves - a zero. The film starts off in decent fashion, giving us insight into the mind of the childhood Michael Myers, yet the film fails to explain why exactly this background is even relevant. All I know is that the little kid cast as Michael in the film looked like he did more drugs than Sheri Moon, who played his mother. That's a lot of drugs. The only scenes he didn't looked completely stoned in were scenes in which he inexplicably appeared to gain 75 pounds in his face. An odd phenomenon, and one of the few pseudo-interesting things happening in this movie.

    Aside from the blubber-faced stoner kid, we are treated to a girl cast as the heroine who literally begs the audience to hate her. The person who actually did the casting for this film must have had serious drug/alcohol issues to cast the little punk Scout Taylor-Compton as Laurie in this film. Not only does she display the single most annoying voice in the history of horror cinema, her character is one that I actually WANTED to see get beaten repeatedly with a blunt instrument. Her acting "skills" aside, her dress, her appearance, her character lines...all simply cried out "Please Michael, kill me for the pleasure of the audience". Unfortunately, like so many things in this movie, that wish is not delivered as Laurie survives through the entirety of this travesty of a film.

    Terrible cast aside, let's look at key scenes that were omitted. The classic laundry room scene, the equally compelling scene where Tommy sees the "Boogey Man" carrying his victim around the neighboring house as he stares out the window....these classic scenes are totally gone. Scenes from the original that Rob did remake in the film are pointless, almost pathetic in their attempts to top the original scenes. And the fact that the film establishes Laurie is Michaels sister from the get-go is a terrible idea that completely erases the creepy "randomness" of Michaels attacks.

    In closing, if you want to see a classic horror film, see the original Halloween. If you want to see a classic horror film get completely raped and pillaged, see Rob Zombies Halloween.
  • avatar

    Unde

    When I first heard that Rob Zombie was remaking the original Halloween I was more surprised then anything. I didn't know too much about Rob Zombie, but I did think that remaking the film wasn't the best choice. my thought was that if they did want to remake it then first they should do a FINAL Halloween sequel to finish off the Halloween series and finally give it an end, then film a remake for October 2008 (the 30th anniversary) but instead we get a rushed written script, rushed filming and production and a back story to a once terrifying character that proved to be overdone and drawn out. I could not believe how poor the dialog was, it was if the director believed that use of poor language was necessary in making a successful movie. the movie opens in a such a way that anyone who has seen the original will say that it does not fit the story. Michael's family is just pure white trash, what's the point of that. all the death scenes contained way too much gore, and every girl that was killed, had to be done while having sex and nude. a lot of the characters that we're killed, had no point to be killed. the second half of the film was completely rushed we didn't get to see much of the other characters. Scout-Taylor Compton is a gifted actress, but the script gave her no acceptable lines or enough screen time. the placement of carpenter's music does not fit at all. being the fan of Halloween that i am, i could not wait for the movie to be over. if a sequel is made to this movie i only hope that rob zombie is not asked to write or direct it. this movie makes Halloween resurrection look like a masterpiece, that should explain it all.
  • avatar

    Maman

    In the taxonomy of redeeming values, one could include social, scientific, artistic, political, comedic, moral, etc. And it's nearly impossible to find any creative work that can't be defended or justified under one of these categories. That is, until now. Rob Zombie's "Halloween" is devoid of any redeeming value. It not only plumbs the depths of deprivation, it sets a new low-water mark for tasteless dreck.

    This has nothing to do with prudishness, squeamishness, or easily offended sensibilities. It has to do with poor scripting, bad (read "no") character development, predictability, gratuitous gore and ultimately, just plain meaninglessness. Even the most abstract, non-narrative, experimental genres of film have a point that can be ascertained, albeit with some difficulty in some cases. But "Halloween" has no point. In the end, it is merely a series of unmotivated, contrived, gruesome vignettes that, cumulatively, add up to nothing. The film uses every cliché known to bad cinema: Doors that don't open, guns that don't fire, victims who fall and crawl when they can ill-afford to do so, under lit scenes that attempt to falsely create a sense of impending mayhem, some horrific, vile and pandering dialogue and the monster who just won't die. Mr. Zombie uses them all. It's hard to escape the notion that there is nothing intended or achieved beyond fundamental shock value.

    Billed as a 'retelling' of John Carpenter's original, a somewhat, if only marginally better version, this edition of "Halloween" supposedly provides an explanation of the causes of Michael Myers' homicidal psychosis, to wit, his excessively foul-mouthed and dysfunctional parents, who, as characters are as creek-shallow as the rest of the cast. The only one I felt sorry for was Malcolm McDowell—the actor--not Dr. Loomis, his character. How he, the quintessential, ultra-violent Alex de Large of Stanley Kubrick's "A Clockwork Orange" and the multi-faceted Mick Travises of Lindsay Anderson's "If" and "O Lucky Man" and the H. G. Wells of "Time After Time," got roped into such an awful piece of cinema is a mystery.

    Thematically and cinematically, "Halloween" is virtually identical to Mr. Zombie's two previous films, "House Of 1000 Corpses" and "The Devil's Rejects." In fact, except for the titles, the three films are nearly indistinguishable from one another as they all suffer from being stuck in the same stylistic rut. While Mr. Zombie does push the envelope of bad taste, there's no evidence that he pushes his own development as a filmmaker, and shows no directorial growth in his progression of films. What he overlooks in his bloodlust is the idea that showing less can be more effective than showing more, as in the "Psycho" shower scene when the knife is never seen striking the victim. Leaving nothing to the viewer's imagination and, instead, hammering home the obvious, can be the undoing of a film, which sums up the problem with "Halloween." Slasher films may well be the cinematic equivalents of bottom-feeders, but it doesn't necessarily follow that they have to be abhorrently distasteful and bad, or that they can't strive to achieve some measure of redeeming value.

    Where Rob Zombie will go from here seems painfully apparent. Having painted himself into a corner from which it may be hard to escape, he may be his own next victim.
  • avatar

    Umge

    On paper, a "Halloween" remake looked interesting. Zombie tries to go back to the character's origin and reinvent him - it's a recent trend in Hollywood ("Batman Begins," "Casino Royale," the upcoming "Incredible Hulk," etc.), so it's not quite surprising that Hollywood greenlit the project and it got the push it received.

    But the problem that arises while doing this with "Halloween" is that it comes into conflict with the concept of Michael being purely evil. Although I can understand what Zombie was trying to do by exploring Michael's background, it contradicts the whole point of the original. By providing a reason and displaying a human character on screen, you give the character a soul - and despite what Zombie may claim, this does NOT make Michael scarier. It makes him an average movie serial killer: a guy with a messed up life as a kid who snaps one day and goes on a killing rampage.

    Is it scary? No. Gory? Yes. Realistic? At first. And if it were a movie about a serial killer, it would work. But it's not. This is a movie about a monster, a soulless creature; a boogeyman, as per the original film. Monsters aren't scary when we know they're flesh and blood.

    Carpenter had a way of framing the action in the original movie. Michael stalks Laurie in her hometown, but we never see any real flesh behind the mask, we never really see him moving around like a normal human being. But we do here. He stands in the middle of an open road, in front of three teenage girls walking home from school, and they all see him. He stands there for a few moments, then trudges away off-screen. We actually see him walk away, instead of just appearing and disappearing as he did in the original film. Which method is scarier? The answer is clear.

    Zombie spends 40 minutes or so building up Michael's character before he escapes from the ward. We see him killing animals as a child (and torturing them, too), a stupid subplot with his mom as a stripper and a typical school bully, and a promiscuous sister. The sexual talk is frank and disgusting - the mom's boyfriend (husband?) is talking about how cute her daughter's butt is, and at this point in the film we're not sure whether he might even be the father. It's just shock for shock value. Zombie has a tendency of this - blunt violence and blunt dialogue combined - and in a film like this, it seems cheap and fake and unnecessary. The heavy emphasis placed on the swearing - and I mean this literally (as in, the actors place a noticeable emphasis on the profanity they use) is almost unintentionally funny. Zombie cast his wife in the role of Michael's mother, and she can't act at all.

    Donald Pleasence got stuck with the most unfortunate lines from the original film, but we were willing to forgive bad dialogue because of how well-made the film was otherwise. Here, Malcolm McDowell gets the worst of two worlds: he gets to handle an under-characterization with bad, bad, BAD dialogue AND a generally weak film to boot. The sequences with McDowell's version of Loomis are all completely clichéd - Zombie clearly writes his dialogue based on other films' dialogue. The "intimate" scenes at the mental ward between Loomis and Michael are awful. McDowell struggles with typicalities of the genre, such as the Dr. Who Wasted His Own Life By Devoting It To Someone Else's (he explains to Michael that his wife left him and he has no friends because of how involved he became with the case - and the dialogue itself is straight from any cop-vs.-killer flick). The recent film "Zodiac" had a similar theme of men losing their personal lives due to obsession over a murderer, but it was handled better. The whole Loomis character should have been dropped from the remake if all Zombie wanted to do with him was use him as a deus ex machina, by the way.

    Overall, this feels like a redneck version of "Halloween," which is going to offend some people, but I can't think of any better way to describe it. It's trashy, vulgar, and silly - and hey, that's fine, if that's Rob Zombie's motif and he wants to make movies pandering towards that sort of audience. I have nothing against it, and I think it may work with some films - I can imagine him making a good re-do of "Natural Born Killers" (although I hope it never, never happens!).

    However, when you're remaking an iconic, legendary, incredibly influential horror film - don't cheapen it by "reimagining" it with horror movie clichés and shock-value material. The very worst aspect of this remake is that it simply isn't scary at all - it's a typical slasher flick, a homicidal-man-on-a-rampage flick, which ironically is exactly what Zombie said he wanted to avoid.

    The first film was eerie, spooky, and unnerving because Michael's motivations were cloudy and we weren't sure whether Laurie was right or wrong when she said he was the boogeyman. We only knew one thing: he wasn't entirely human.

    But ever since that original movie, the filmmakers have attempted to keep expanding upon Michael's history: the second film developed a motivation for his killings (Laurie was his sister), the fourth offered more clues at his background, and now we come full circle with a complete remake of the original film.

    Michael's true demonic core - the natural horror element of the series - is stripped bare and all that is left is a disturbed, abnormally tall redneck with greasy hair who hasn't showered in years wearing a silly mask going around killing people because he had an abusive family life as a child. Some things are better left unexplored.
  • avatar

    Westened

    WTF WAS THAT!!! One Question Zombie did you watch the original, because you got it all wrong. You're not as famous and the original Halloween, so to take it and screw it like you did totally suck. You have just destroyed a classic. Anyone who gave this movie more that one full star is not a real Horror fans. Zombie's Michael Myers is a Fag, white trash boy looking for some attention. John Carpenter's Michael Myers lived in the suburbs; parents loved him, but he was taken over by evil "pure evil" the devil, he killed because of the rage in him.

    Now I see why John Carpenter told "Zombie to make his own film, don't make the original" because he knew Zombie's Halloween would be a disappointment.

    Sorry, but this movie will only get good reviews from ladies who want to have sex with Rob Zombie and men who don't have a clue like Zombie or want to have sex with him also.

    Honestly, Zombie should be paying us to see this movie, "I want my money back, Mr. Zombie."

    Don't waste your time going to see this movie, because $4.25 is way to much. Go have a value meal; you'll be a lot more satisfied.
  • avatar

    Molace

    I was always sceptical about this movie being a huge fan of the JC original which has remained my number 2 favourite movie of all time for the past 15 years or so - and boy was I right to be! Rob Zombie, who I personally feel has directed two great horror movies with 1000 corpses and Devils Rejects, has completely and utterly ruined a classic movie! Yes I know he was never "remaking" the original and he was always planning on "re-telling" the story from a different perspective - but seriously Mr Zombie, why bother? All you have done is taken great characters and a great story and just made it into a useless, pointless piece of twaddle which should be locked away in movie hell forever! I think spending 55 minutes of movie time building up a character we already know was just stupid, I think making the likable main girl from the original into a foul mouthed, sex obsessed plank was just a waste of time and I think all of the random killings were just plain unnecessary! I award you 1 star Mr Zombie for this terrible movie and that is just because I liked that bit at the beginning where you froze young Michael Myers running away from school and played the classic Halloween theme tune - if you hadn't put that bit in you would get 0 stars! Rubbish!
  • avatar

    Mettiarrb

    I thought this movie was terrible, i am a HUGE fan of the Halloween movies, i could not wait for this movie to come out so when it did i went opening night only to real disappointment, i feel Rob Zombie destroyed the movie, it was not scary one bit, i felt like the actors were trying to be the ones in the original, i didn't care what happened to any of them, where in the original i wanted to see them live. He killed all these people and left Annie alive, that was kind of odd, even the background of the movie having Michael Myers parents be like white trash was just stupid, i think a lot of people would end up being killers. Michael Myers was pretty much supposed to be just pure evil without there ever really being a reason, thats what pretty much scared me about the originals. I never really review movies at all because i am pretty easy to please but this was such a disaster i had to share my opinion:)
  • avatar

    HelloBoB:D

    I have been watching the Halloween films for as long as they have been on video. I have been watching horror films all my life. I have collected them most of my life. So I have seen a lot, and I still have a lot more to see. I watched the Halloween series grow a lot worse from the 3rd film on down. When it came time for Halloween H20, it could not have ended the series better. The they made another and when Busta Rhymes used karate on Michael, it was the final nail in the coffin. The series to me was dead.

    When Rob Zombie was announced as the next director to do a Halloween film, I didn't really care, they were already ruined. When I heard it was a remake, I got a little bit of hope in me. I hated House of 1000 corpses, and Devil's Rejects. They weren't horror to me. It was like he sat down and wrote the films as if the world had no morals, no one cared about anyone, and everyone was raised in a dirty truck-stop by crack addicts and hookers.

    For some reason I thought he might actually care about doing Halloween very well since it would be the best thing to do. I went in the theater ready to love this film. If you plan on seeing this movie(which I advise against) stop reading this right about here if you want nothing ruined for you. If you don't care then keep on reading and I'll tell you what made this movie a sad waste of film, time, money, and everything else this film could effect..... .. .. The film started off bad right from the get go. The story was moving in a great direction, but the actors and dialog were killing the movie slowly. The crippled step-dad checking out his step-daughter, calling Michael "Queer" and "Psycho" destroying the breakfast table with an infant just feet behind him. Screaming obscene lines at everyone who came on screen with him really made the first few scenes annoying. It was the Devil's Rejects all over again.

    Michael gets his heart broken by his sister when she doesn't take him out for trick-or-treating. So he kills all but his mother and infant sister wearing the trademark white mask. When his mom comes home from work the cops are arriving to take him away already. He claims, while in smiths grove, that he doesn't remember killing anyone. He even asks his mom if everyone at home is OK. The movie seems like it's going to redeem itself for a moment. The night janitor tells Michael to buck up and not let these walls get him down. When Micheal finds out he can't go home he kills a nurse and doesn't speak anymore. His mother goes home and commits suicide leaving Laurie crying in her crib.

    Years later when he is to be transfered, Michael kills the guards and gets free. The janitor that befriended him is shown no mercy where it would have made a huge difference if he HAD. At this point it has become impossible to care about any character except Laurie. Michael goes back to his old home where he breaks floorboards up to get back his old knife and mask. Now if anyone knows anything about latex it doesn't keep very well even indoors. It rots in moisture, this mask as you see in the trailer is in great shape. Just a little dirty.

    We meet Laurie who is grown and in high school and as soon as she gets on screen, she is just as vulgar and demoralized as every other person in the film. Now even in class every girl she talks to is given lines to make hookers blush. Even Dr. Loomis is a waste in this film. It's like horrible bar band with no talent covering great songs. Only they turn it up just enough to bother your ears, and get lyrics wrong just to upset you. It was at this point I walked out of the movie. If anyone write back to tell me that the movie got better after that, I doubt it, plus what good is a movie that is half good? I am not interested at all in seeing the rest of the film. To avoid going, I actually wish they woulda just found another lame way to make a sequel rather than remake it. As long as Rob Zombie doesn't direct it.