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Quirke HD online

Quirke  HD online
Language: English
Category: TV Series / Crime / Drama / Thriller
Original Title: Quirke
Duration: 1h 30min
Video type: TV Series
A chief pathologist in the Dublin city morgue investigates sudden death victims in the 1950s.
Series cast summary:
Gabriel Byrne Gabriel Byrne - Quirke 3 episodes, 2014
Nick Dunning Nick Dunning - Malachy Griffin 3 episodes, 2014
Brian Gleeson Brian Gleeson - Sinclair 3 episodes, 2014
Aisling Franciosi Aisling Franciosi - Phoebe Griffin 3 episodes, 2014
Stanley Townsend Stanley Townsend - Inspector Hackett 3 episodes, 2014
Michael Gambon Michael Gambon - Judge Garret Griffin 3 episodes, 2014
Geraldine Somerville Geraldine Somerville - Sarah Griffin 2 episodes, 2014
Frank O'Sullivan Frank O'Sullivan - Davy 2 episodes, 2014
Sara Stewart Sara Stewart - Rose Crawford 2 episodes, 2014

Reviews: [10]

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    Another top notch offering from the BBC. (2 episodes in) Wonderful, atmospheric settings and unusually artistic cinematography, a gripping back story and marvellous, marvellous acting. A very good insight into life in Ireland in the 50's also.

    Quirke, the outstanding Gabriel Byrne in one of his better efforts ever, is an alcoholic pathologist in Dublin in the 1950's. Quirke, an orphan of unknown parents, was adopted into the wealthy Griffin family. A family where not is all what it seems, and where people love and hate each other at the same time, and harbour secrets, some of them quite terrible. (like a lot of real families). While Quirke tries to help find out what happened to bodies who used to be people with the help of a jaded garda inspector, we unravel his past life episode by episode, and watch his life unravel as well.

    It is compelling stuff, I can only highly recommend it. Preferably from the start. While produced by the BBC, it's an all irish cast and location. It looks a million dollar, it's original, the characters are interestingly complex, and it's just very, very good.

    It feels very much like the Maigret series with Bruno Cremer, only better (!). Note that the solving of the mystery is only a part of the drama, most of it revolves on the interplay of the family, their problems and their secrets, and the telling of life in a Ireland 60 years ago, with its obedience to the catholic church, treatment of women etc...therefore you can enjoy it even if you aren't fond of murder mysteries. It is nearly an anticlimax to come to the end and have the murder solved (sometimes rather too conveniently - hence the 9 instead of 10 - very small complaint) , so engrossed are you in the actual story in its entirety - you want it to go on!

    Do not expect CSI or NCIS, it is as far removed from those shows as possible.

    I did not read the books, so that I have no idea how accurate is the adaptation, but I can guarantee the story is perfectly clear and simple to follow, unlike some adaptations that require former knowledge of the written medium to understand anything at all.

    I also highly recommend it in HD with a good sound system. The terrific atmosphere deserves that.

    Contains smoking and drinking. [;-)]

    Edit: Episode 3 is a straight 10/10. Very emotional, and even improved from the other two on all fronts, if that was possible. Classic television in the making. - I just read the first two episodes were adapted by Welsh screenwriter Andrew Davies and the third by Irish playwright/director Conor McPherson. Now it makes sense and it actually shows.
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    Someone said I should post my comment as a review, so here goes...

    There are so many procedurals,and cop shows out there,doing the same thing over and over again. This is not one of those regular TV- shows. Crime plays a part of course, but more than that, this is a series that is driven by character development. For each crime we also delve deeper into Quirke's family relations and history. There is a logical development in the way the story is built,so that the plots of the different episodes combine into a whole. And consequences are far from as clean cut, as it would have been in an ordinary cop-show.

    I have tremendous respect for Gabriel Byrne and Michael Gambon as actors, and I think this material may well have provided the foundation for some of the best acting of their career. The supporting cast is also uniformly excellent, and that nearly all actors in this series is Irish, also makes it that much more convincing.I enjoyed the mood set by the music,and the portrayal of the era. From Smoke-filled streets and bars, to the clothes they use, the cars they drive, and all the small details that make up this wonderful mini-series.
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    For anyone who is Irish, who grew up in the 1960-70's, the Quirke series is like getting a flashback to the time that our parents came of age. For all of us, there was a dark overhanging gloom that we had nothing to do with but had to fight against. That dark gloom is aptly described here.

    Lately, a whole lot of attention is given to the impending retirement of Daniel Day-Lewis. He is a great Irish actor but I haven't even seen the last three movies that he has been in. Gabriel Byrne, on the other hand, is the actor whose work I do follow. He has mastered the role of the Everyman, faced with all of the sorrow and joy of life, and the negotiation in between. I have never seen him in a role that disappoints, and he is certainly worth watching in the Quirke series.

    I wish that the series could be continued, especially because Irish social history needs that kind of exploration, with exactly the kind of character that Gabriel Byrne delivers in the Quirke series.

    I'm giving it 10 out of 10 because it's a great work that has no reliance on anything but the acting performances delivered. It's as if everyone involved had sat down together and agreed about exactly what to do. That kind of intimacy is usually only possible with stage performances. Somehow, the cast and crew of Quirke have managed to achieve that.

    There is no reason to not watch all three episodes of Quirke, against a multitude of reasons to sit, watch and study. You'll be glad that you can say that you saw it.
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    The new BBC drama 'Quirke' takes us into postwar Ireland - seedy, drunken, dominated by the twin evils of the church and the wealthy and corrupt. It's a somewhat clichéd view, made palatable by the series' muted tone, although at times in the first episode I struggled to follow the softly spoken dialogue and relatively (for a murder drama) understated plot. Unlike many such series, there's an overall narrative as well as individual stories; the fact that Quirke's niece has a separate, personal connection to all three murders reduces the overall plausibility. The cast is an impressive one, but the scripts don't really call on them to do anything extraordinary; the detail with which their characters' feelings are observed is often weaker than its symbolic depiction (endless booze and cigarettes). To me, 'Quirke' fell between two stools: too low-key and gloomy to be fun family entertainment, but not truly deep either.
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    Honestly I do not know they expect to get viewers on a regular basis with only 3 episodes? It did not play like a mini series or long movie. Was it suppose to? It is well done. Different and interesting. The acting was good. But I was sure this was a TV series. Three episodes does not make a TV series. I guess it was not meant to be more. This is from Wiki. Quirke is a British-Irish crime drama television series that was first broadcast on BBC One and RTÉ One in 2014. The three-part series is based on the books by John Banville, writing under the pseudonym Benjamin Black, and was adapted by Andrew Davies and Conor McPherson. I would like to see them actually turn this into a real series.
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    I kept watching, just hoping it would get better. Three A-list principals, it just has to be good, right? IMHO, the writing was on par with a Quincey MD episode, the acting was either forced or flat, and the writing, editing, and directing abrupt. Just because it had the atmosphere of Foyle's War or The Bletchley Circle did not make it so. Glamour and style do not make up for a lack of substance. There were so many blatantly obvious hints about the "event which might be considered by some a twist" that by the time it arrived all I could say was "well duh-UH!" In fact, twist is too strong a term, as is reveal. Think of this as being on the opposite end of the spectrum from an Inspector Morse.
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    I looked forward to Quirke with Gabriel Byrne back in the British small screen after his foray to Hollywood. In Quirke he is an alcoholic pathologist in 1950s Dublin. Quirke has been adopted by the wealthy Griffin family. His adopted father is played by Michael Gambon.

    The family itself has hidden secrets, Quirke's own daughter has been raised by his brother when Quirke's wife died. However Quirke has also been carrying on with his brother's wife.

    In the three films atmospherically shot in a low budget television way, we have Quirke probing into babies being adopted out by the church, or a wide boy taking saucy pictures of married women and using them to blackmail their husbands and the final film is on the hunt of a missing girl who might have had an abortion.

    The film meshes dark secrets in a 1950s Dublin where the Roman Catholic church has an overbearing influence.

    However the final product was poor. The first film had sound issues and the films were just dull with a mundane script, predictable characterisation and badly directed. In fact they looked like television dramas from 20 years ago and forgotten that filming techniques have moved on.

    The series reminded me of Inspector George Gently especially with its period drama setting and the changing social scene of the 1960s north east England but Gently is miles ahead in entertainment value and production values, ironic as the early films were shot in the Republic of Ireland.

    Quirke is disappointing and a disappointment.
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    How low is the lowest common denominator in this. John Banville seemed to me to be a writer of Ireland past and present that you might learn something from. Holy mother of God, Quirke is terrible. I've never seen such a transparent plot line, such poor and shallow acting from stellar marquee names, so many faux hospital passes. Can I write the next episode - just gotta check Wikipedia for some autopsy references and come up with a 'startling' revelation regarding a hard drinking long lost relative of some sort or the other and then mix it up with production values ranging from low to medium allied with an occasional exotic non-1950's sounding name and they're ye are Quirke , working title Dublin Dud.
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    Beautifully shot and atmospheric, though the dark scenes get a bit tedious, good acting all round but the characters are wooden. The script is banal, nobody says anything insightful or cute. Inappropriate responses. In episode two the intimidation and murder in the first episode seems to be forgotten. The continuity is terrible you keep wondering "who is this character now", new characters pop into the episodes fully formed and you're sure you must have missed something previously. This all comes from trying to be too clever. And his daughter's assertion on finding out he's her dad "but I loved you Quirke" just dropped like a lead balloon. Really disappointing.
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    It'd be a lot more palatable if they didn't continually light up and dwell, linger, on cigarette smoking. Surely financed by a tobacco group. 'Authentic' they say. I say, if the story was any good, it wouldn't need that so-called (smoking-justifying) 'authenticity'. Ruins it for me.